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Sickert, Walter UK, 1860-1942From the 1880s to the 1930s, Walter Sickert was one of London's most influential artists. He was interested in the music hall, the theatrical and low life. He always painted from photographs. La Hollandaise, c.1906, oil |
| Siegelman, Robert USA (photography) | |
| Simon, Bernard USA, 1896-1980 (sculpture) Smithsonian Institution [ SIRIS ] |
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| Simon, Sue USA Spark Gallery The World of Women On-Line Denver artist, Sue Simon, uses "painting and collage to explore the scientific issues of such topics as women's health issues, AIDS, and environmental concerns." Her art works make use of actual research drawings and equations. |
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Siqueiro, David Alfaro Mexico, 1896-1974Self Portrait |
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SKETCHBOOKS are as varied as the artists who keep them. They are a repository of ideas, perceptions, inspirational imagery, and graphic experiments. "As personal records they afford an intimate glimpse of an artist's visual thinking and reveal aspects of their creative process." [AAA Collections: Sketchooks] |
| ARTISTS' SKETCHBOOKS ONLINE
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Sleat, Lauren Kendrick USA "I have felt like the 'black sheep' artist among the academics, an outcast if you will, the token odd one, the token 'special' one." - Lauren Sleat website paintings and drawings mica: mfa thesis | BmoreArt: token Self portraits: you mother....... 2006 cat study charcoal 2005 |
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Sloan, John USA, 1871-1951
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| Smith, Charles W. USA, 1893-1987 (abstract painting & printmaking) |
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| Smith, Clive UK b. St Albans, 1967 image: Double Single 1st Prizew, BP Portrait Award, 1999 |
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| Smith, Kiki USA, b. 1954 Greg Kucera Gallery Barbara Krakow Gallery |
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Smith, Matthew UK 1879-1959 ". . one of the very few English painters since Constable or Turner to be concerned with painting - that is, with attempting to make idea and technique inseparable . Painting in this sense tends towards a complete interlocking of image and paint, so that the image is the paint and vice versa. . . I think painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down, and in this game of chance Matthew Smith seems to have the gods on his side." - Francis Bacon |
| SMITHSONIAN INSTITUTION American Art Museum archives, manuscripts & photo collection SIRIS keyword searching SIRIS archives image gallery photograph & nagative selections image gallery drawing, sketch & painting |
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Soutine, Chaim |
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Soyer, Raphael USA, 1899-1987 Soyer's most frequent model was himself, often with pencil or brush in hand. "I always paint myself appearing introverted.... I never make myself entirely like myself. I always appear older looking, or unshaven, or all alone. It's the result of looking a little bit more deeply." - ButlerArt.com image: My Friends, 1948, oil, 70" x 60" |
| Spatz-Rabinowitz, Elaine USA Howard Yezerski Gallery |
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Spear, Ruskin UK, 1911-1990 Instructor at the Royal College of Art from 1948 to 1975.
Portrait of Francis Bacon, oil |
| Spencer, Hilda (nee Carline) UK Stanley Spencer, 1931, pencil on paper |
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Spencer, Lily Martin Self-Portraiture Homepage (images) |
| SPENCER MUSEUM OF ART University of Kansas Works on Paper Printed Art and Social Radiculism |
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Spencer, Stanley UK 1891-1959
Spencer is famous for immortalizing the Berkshire village of Cookham, where he was born and spent most of his life, - and for celebrating sex, both on his canvases and through his unconventional understanding of relationships. Self Portrait 1959, oil |
![]() STANLEY SPENCER Self Portrait with Patricia Preece, 1936 oil painting |
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